#Kaleidoscope reviews series#
And in this case, the gimmick is that the series may be seen in any sequence (apart from a brief introduction called “Black” and the finale called “White: The Heist”). And “Kaleidoscope,” a brand-new Netflix series, fulfils the description while adding a twist.Īpart from the fact that it is a heist programme starring Giancarlo Esposito, the new Netflix heist limited series’ selling point simply has to be its gimmick. The heist genre is an example of a whole being greater than the sum of its parts.Įven the most basic heist movies and TV programmes succeed when everything comes together because it’s always rewarding to see the big picture and put everything back in its proper perspective. A film like the blue-collar-tinged “Logan Lucky,” for instance, wouldn’t be characterised as sleek and may not offer the same kind of “aspirational” portrayal of the criminal lifestyle as, say, Soderbergh’s “Ocean’s” franchise, but it nonetheless provides comfort for the same reasons as other heist media. The heist genre never fails to be intriguing because, despite its polished, stylised tendencies, it frequently makes the audience feel safe. Despite any criticism, Kaleidoscope is definitely worth watching because of its captivating heists, compelling characters, and interesting viewing experience. Your experience could differ from mine, but that’s also one of the show’s advantages. Although Kaleidoscope is an experiment that generally succeeds and even shines at times, it occasionally messes up when it comes to one of the episodes that airs later in the timeline than the conclusion.
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